
Gialos, the old port of Fira, is one of the most quintessentially Grecian island destinations you could wish for. With roots dating back to the 1600s, it originally served as Santorini’s main port, until the creation of the newer Athinios port. Today, this beautiful cliffside idyll still has a huge amount of character and was somewhere I was really keen to visit during my visit to the island. To get down to the port, you have three options: 1) cable car, 2) donkey, and 3) on foot down nearly 600 steps (Karavolades Stairs). Saving the cable car for the return (uphill) journey and avoiding giving the donkey’s extra strain, I opted for the latter option. Thankfully, this choice enabled me to achieve this beautiful shot overlooking the port and its incredibly turquoise waters.
Providing a lovely aerial view of the town, this capture embodies all the bold colours and natural beauty that make this island so enchanting. Taking centre stage, the yellow walls of an empty cliffside building provide a stunning contrast to the aquamarine of the sea. Anchored at the foot of the cliffs, a yellow boat creates serendipitous harmony with the edifice’s sunshine hues, while the pearly apparitions of stones on the shoreline and the brown volcanic rock of the cliffs make for eye-catching detail and variation. In fact, the more you look at this picture, the more you see – from the pink splash of flowers to the quiet activity of the port’s streets. It’s an image and a scene that really draws you in – much like the reality of these island havens. This photo really encapsulates the warmth and magic of Fira and the beauty I was able to experience first-hand.
Additional Images



Certificate of Authenticity
The Old Port of Fira is a fine art landscape photograph with a limited run of 100 prints.
A Certificate of Authenticity will be supplied with every print after it has passed the Tide & Land quality check, numbered and signed.
Tide & Land photography prints are not massed produced, but are hand made to order, guaranteeing the best quality with every print.
Further Information
+ PRINTING
Each of my images is printed using an Epson SureColor SC-P800 Printer. This printer is designed to produce high quality professional prints using UltraChrome HD ink that gives a true-to-life finish. Shadows are notably crisp against the vibrancy of the colour palettes across all size ranges of my photography.
+ PAPER
I print my images on Innova Resin Coated Photo Metallic Gloss paper which works extremely well on the Epson SureColor SC-P800 Printer. This 260gsm photo paper has a natural white base tone that contains metallic pigments in its microporous coating. Not only does it provide a high gloss finish, the pigments offer an extra dimension of subtle colour shifts under changing light conditions, and is suitable for colour and greyscale prints.
+ MOUNTBOARDS
I use white mountboards with my photographs. Bainbridge Alphamat Artcare Mounts provide art work with high quality protection from air and acid pollutants, as well as being 100% fade resistant and bleed proof.
+ FRAMING
I offer a range of glass-fronted frames in wood (Birch), and aluminium (Frosted Silver or Jet Black Polished). I have chosen these frames for their strength and quality, and because they perfectly complement the mountboards and balance my images.
+ OTHER MATERIALS
Besides these key components it is also worth noting that I use archival back boards to provide your print with further added protection, and when purchasing framed photography the mounts are secured using acid-free tape.
+ DELIVERY
Framed prints are made to order and will try and dispatch within 7 working days however this can be shorter or longer depending on workload. Ink need the time to properly set to the paper before being handled and this can take a few days.
All framed prints ship in a bespoke and secure packaging system via insured courier. I try to recycle cardboard ink within my packaging materials where I can to add to security to the shipment.