Emporio is a small village within Santorini. Not one of the main tourist destinations, it’s somewhere that nestles peacefully inland at the foot of Mount Profitis Ilias. Some of its most iconic features are its 15th century castle and ruined tower. However, it’s also a real treat for its medieval streets and pathways that twist through the sloping village alongside white-washed buildings and sun-baked homes. It was these streets that particularly caught my attention and captured my imagination as I explored Emporio, having broken away from some of the island’s better-known destinations. The village certainly reflected the higgledy-piggledy nature of Fira and Pyrgos, but on a smaller scale, which made for great exploration.
While I was walking around Emporio’s very narrow alleyways, I came across this particular scene. A perfect medley of elements, this natural portrait really demonstrated what the village here was all about. Framed by an elegant archway, the capture depicts a warren of steps leading to an Escher-esque jumble of doorways and tiers – something that is reflected throughout the village. A hint of blue sky at the top offers a lovely lapis contrast to the white-washed tones of the buildings – a typical painting technique that is used to reflect sunlight and heat. Meanwhile, varying degrees of light and shadow create an almost 3D effect. I love the way there is so much going on in this one single snapshot – it certainly has a level of surrealism, surpassed only by its character and charm
Additional Images
Certificate of Authenticity
Doorways of Emporio is a fine art landscape photograph with a limited run of 100 prints.
A Certificate of Authenticity will be supplied with every print after it has passed the Tide & Land quality check, numbered and signed.
Tide & Land photography prints are not massed produced, but are hand made to order, guaranteeing the best quality with every print.
Further Information
+ PRINTING
Each of my images is printed using an Epson SureColor SC-P800 Printer. This printer is designed to produce high quality professional prints using UltraChrome HD ink that gives a true-to-life finish. Shadows are notably crisp against the vibrancy of the colour palettes across all size ranges of my photography.
+ PAPER
I print my images on Innova Resin Coated Photo Metallic Gloss paper which works extremely well on the Epson SureColor SC-P800 Printer. This 260gsm photo paper has a natural white base tone that contains metallic pigments in its microporous coating. Not only does it provide a high gloss finish, the pigments offer an extra dimension of subtle colour shifts under changing light conditions, and is suitable for colour and greyscale prints.
+ MOUNTBOARDS
I use white mountboards with my photographs. Bainbridge Alphamat Artcare Mounts provide art work with high quality protection from air and acid pollutants, as well as being 100% fade resistant and bleed proof.
+ FRAMING
I offer a range of glass-fronted frames in wood (Birch), and aluminium (Frosted Silver or Jet Black Polished). I have chosen these frames for their strength and quality, and because they perfectly complement the mountboards and balance my images.
+ OTHER MATERIALS
Besides these key components it is also worth noting that I use archival back boards to provide your print with further added protection, and when purchasing framed photography the mounts are secured using acid-free tape.
+ DELIVERY
Framed prints are made to order and will try and dispatch within 7 working days however this can be shorter or longer depending on workload. Ink need the time to properly set to the paper before being handled and this can take a few days.
All framed prints ship in a bespoke and secure packaging system via insured courier. I try to recycle cardboard ink within my packaging materials where I can to add to security to the shipment.